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[Grapevine] Bollywood news for 7 Sep, 2001



Title: The Mumbai Grapevine
The Mumbai Grapevine Connecting Mumbaikars with Mumbai
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Headlines
News:
Shiv Sena demands immediate ban on film "Lajja"
Amitabh Bachchan will be honoured with "actor of the century" award
Rangmahal Theatre destroyed in a fire
Star hunt uncovers eight new faces
Role call has Anil Kapoor getting under Nayak's skin
Film-makers question real worth of Indian Panorama
News
Shiv Sena demands immediate ban on film "Lajja"
New Delhi : The New Delhi faction of the Shiv Sena demanded an immediate ban on the film "Lajja". They said that it has insulted the religious sentiments of Hindus. The Party's Delhi President, Jai Bhagwan Goel, said : "The film should be banned immediately, failing which the Shiv Sainiks will enforce the ban in their own way." He said the Information and Broadcasting Minister, Sushma Swaraj, should take steps to stop the screening of the movie, in which the "great character" of the Hindu Goddess Sita has been "insulted".

BJP workers burn an effigy of filmmaker Rajkumar and posters of actress Madhuri to express their protest Bhopal : A group of BJP (Bharatiya Janata Party) workers burnt an effigy of the Bollywood filmmaker, Rajkumar Santoshi, and posters of the film actress, Madhuri Dixit, to express their protest against what they described as "objectionable dialogues" against Hindu gods and goddesses in Santoshi's latest movie "Lajja". According to BJP workers, Madhuri's posters were burnt because the "objectionable dialogues" against Hindu gods and goddesses were uttered by her in the movie. "Lajja" is also being screened at the local Sangam cinema hall, but no demonstration was held there. This is the second time this year that a demonstration against a Hindi film has been staged in the city.


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Amitabh Bachchan will be honoured with "actor of the century" award
Dubai : Indian superstar Amitabh Bachchan will be honoured with the "actor of the century" award at the Alexandria international film festival in Egypt in recognition of his contribution to the world of cinema. Amitabh will be given the award at the concluding ceremony of the festival to be held in the historic city from September 5-10. Jaya Bachchan is the president of the jury of the festival. She said the festival will largely screen films from the Mediterranean region. In all, 18 films will be participating in the festival, the largest representation being from France and Italy. Jaya said : "There were cultural commonalties between India and Egypt, which would help in understanding the themes of the participating films better." On a question regarding the dominance of American films that threatened regional cinema including Indian cinema, Jaya said there was no threat to Indian and Egyptian cinema as the countries had a rich historical and cultural heritage of their own.


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Rangmahal Theatre destroyed in a fire
Kolkata : Rangmahal Theatre was destroyed in a fire here. The caretaker and two employees of the theatre were arrested. The flames turned to ashes the auditorium and the Kolkata's first revolving stage. There was no casualty. Police and Fire Brigade personnel say a short circuit sparked the flames. On the other hand, a committee of Kolkata police had inspected seven to eight cinema halls in the city. Among them four in central and north Kolkata have been issued show-cause notices as the "overall amenities, including safety" were found unsatisfactory. The notices are to be answered within 15 days.


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Star hunt uncovers eight new faces
After months of trekking the length and breadth of India and sifting through 15,000 entries, the MTV Coca-Cola Star Hunt presented by indiatimes.com has discovered eight talented and enthusiastic young people to star in Ken Ghosh's debut film, Ishq Vishq Pyaar Vyaar, a Tips Films production.

Two more have been selected from the star hunt for cameo roles in the film. But for Mr Ghosh, director of the film, the hunt still goes on as he looks for three more female faces to star in the film.

Daman Deep, Dipti Gujral, Jyoti Rana, Kapil Zaveri, Shabbir Ali, Shahid Kapur, Vishal Malhotra and Yash Tonk are winners of the Star Hunt, while Mehul Nisar and Nitin Arora have cameo roles in the film.

Assisted by Satyadev Dubey, Mickey Contractor and Longy Fernandes, the cast was selected by Ken Ghosh and Tips Films. "I am extremely excited with our find from the Star Hunt. I now look forward to starting work on the film and drawing the best from my new cast," Mr Ghosh said.

All entrants were selected on the basis of how closely they fit the characters in the story, their ability to act, dance and improvise.

Ishq Vishq Pyaar Vyaar, a romantic, teenage musical comedy, will have music by Anu Malik. The movie revolves around a year in the lives of a group of friends tackling teenage issues. Shooting for the film will begin some time in December.


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Role call has Anil Kapoor getting under Nayak's skin
There is a hero in all of us. All we have to do is discover him within ourselves,'' said the original 'Nayak' Anil Kapoor. He, along with his co-star Rani Mukherjee, spoke at a press conference organised by indiatimes, which is doing a special promotion for the Shankar-directed Tamil remake, Nayak.

The movie, which was originally slated for a release on August 24, will now hit cinema halls across the country on September 7. "The release of the film has been delayed because of technical reasons. This is Shankar's first attempt at making a Hindi film, so he wanted a technically superior product. That's why the delay,'' explained Mr Kapoor. When asked whether the film would be able to generate enough curiousity among audiences since it was already a hit in Tamil and Telugu, Mr Kapoor said the film was aimed at the world market. "The content of the film is very powerful. We have incorporated several scenes, so that audiences worldwide can identify with them. The film has been adapted, not copied shot by shot, from the original movie."

He likened Nayak's script to the famous television programme, 'Who wants to be a millionaire'. "The programme has been successfully adapted in 68 countries. And the anchor of the show is responsible for the success. Shankar is a complete director, a great story teller who also has brilliant music and visual sense,'' he said.

In the movie, Mr Kapoor plays the role of a television journalist of a news channel who gets an opportunity to become a chief minister for 24 hours. Perfectionist that he is, the actor attended a ten-day workshop with theatre director Feroz Khan to get under the skin of his character as a journalist. "For a five-minute interview shot in the movie, I observed the nuances of well-known television anchors like Prannoy Roy, Karan Thapar, Vir Sanghvi and Rajat Sharma for nearly ten days,'' he said.

According to the actor, getting under the skin of his character comes easily to him. What, however, is extremely difficult is the physical transformation that the character demands. I was expected to take off my shirt for a mud fight sequence.

"Now, I have always been nervous about facing the camera without my shirt on. But Shankar had made it very clear in the beginning itself that the fight scene was essential to the film's script and that he was willing to change the hero but not the scene. So, I was left with no other option but to do the fight scene without my shirt on. I worked out in the gym for seven months. And by the time I was confident about facing the camera shirtless, the film was in its last schedule."

When asked to pick the best roles he has played so far, Mr Kapoor said he could identify with a few scenes he had enacted in some of his movies. "Like the drunken scene in Pukar or the one in Lamhe where the hero makes a painful discovery that the woman he loved was in love with another man. I can completely identify with the character in Nayak. The hero is the son of lower middle- class parents and starts off in life as a nobody. I also started my life in a one-room tenement in a Chembur chawl where eight of us were forced to stay and share common toilets with the entire janta.''

Defending his decision not to endorse brands like his contemporaries, Mr Kapoor said that he wanted to preserve himself for the film-makers. "Script writers and directors should be able to mould me according to the needs of a character without any preconceived notions. In the process, I have had to refuse a few good advertisements and a helluva lot of money. But I am not overtly ambitious. I believe in doing my job sincerely."

Describing her role in the film, Ms Mukherjee said she played a village belle and that she and Johnny Lever provided the comic relief in this intense film. "It's been a great experience. We travelled across the country, from Kanyakumari to Ladakh, for the film's shooting. In fact, for the song 'Chale Chale Mitwa', we wanted the best shots of the earth and sky, so we went to Ladakh. For a shot of gusty winds, we went to Coimbatore and for a shot of gushing waters, Guntur was selected,'' the talented actress said.


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Film-makers question real worth of Indian Panorama
"It's a huge honour to be included in the Indian Panorama," exults Ashutosh Gowariker, director of Lagaan. "Now, I'm brushing shoulders with the greats of Indian cinema today." Lagaan is one of 30 films chosen for this year's Indian Panorama, which will showcase the best of Indian cinema at the International Film Festival of India (IFFI) to be held in Bangalore in October.

The Panorama, selected by a jury headed by Shaji Karun, spans a wide spectrum, including Govind Nihalani's Deham, Rituparno Ghosh's Bariwali, B. Lenin's Ooruku Nooruper, Jayaraj's Shantham, Buddhadeb Dasgupta's Uttara, Goutam Ghose's Dekha, Mahesh Manjrekar's Astitva, Amol Palekar's Dhyass Parva and Gul Bahar Singh's The Goal. Primarily screened for foreign delegates, such as film festival directors and film critics, the Panorama is intended to kick-start the international life cycle of its films. Ironically, some of the Panorama films, including Uttara and Bawandar, have each already been to more than 20 film festivals worldwide. Says Jagmohan Mundhra, director of Bawandar, "It is a validation of my work as a serious film-maker. But all its festival participation so far has been because of my own initiative." Naturally, it casts a shadow on the worth, in real terms, of the Panorama.

The delay in finalising the Panorama is, in part, because the IFFI was postponed from January to October. The Panorama films which have already garnered international awards include Uttara (Best Director prize in Venice last year), Bariwali (NETPAC Award in Berlin in 2000) and Ashutosh Gowariker's Lagaan (Audience Award in Locarno). Moreover, Govind Nihalani's Deham has just been invited to the London film festival in November. With increasing competition and globalisation, as film-makers themselves take the initiative to promote their films worldwide, the industry is divided on the true worth of the Panorama. Says Govind Nihalani, "The Panorama continues to be an important platform for new films, especially by younger film-makers. However, I cannot say that the Panorama has had a particular impact on my career. But in the face of the tremendous pressure exerted by mainstream cinema, the Panorama has encouraged me to pursue a certain kind of cinema and reach audiences who appreciate it."

But Shyam Benegal, whose every film has been in the Panorama, except Hari Bhari, thinks otherwise. He says, "The Panorama means recognition, rather than promotion. Certainly, our films are invited to festivals abroad because of the Panorama. But its commercial benefits over the years are still to be proved. I don't know anyone who has come to our Panorama and bought a film of any significance."

Meanwhile, when Sushma Swaraj, minister for information and broadcasting, consciously includes mainstream Indian cinema in its overseas promotions, will it be at the cost of the non-mainstream films? Says Nihalani, "It is non-mainstream films that have brought Indian cinema international recognition. When we are squeezed into the same market system as mainstream cinema, non-mainstream cinema is bound to suffer. Today, those making good cinema are made to feel embarrassed because the mainstreamwallas make fun of them.'' As Benegal observes, "The mainstream films have rarely crossed over to a mainstream audience overseas, but Lagaan has managed that. Even Zubeidaa, which has been distributed by Yashraj Films, has crossed over to some extent, from the South Asian audience to some mainstream theatres and the arthouse theatrical circuit.''

Of the five NFDC films in the Panorama, a majority is by debut or younger film-makers. Says P.K. Nair, former director of the National Film Archives, "The Panorama must reserve, say, one-third of its films for debut and younger film-makers. They may not stand a chance when competing with stalwarts, yet they may be great talents who would flounder without Panorama support. Besides, many festival directors prefer to pick fresher talent. For instance, Santosh Sivan's Asoka is going to premiere in Venice.'' Not that the Panorama alone is a ticket to success. As P.K. Nair points out, "Susant Misra's Indradhanura Chhai, which never made it to the Panorama, was at the Cannes and other film festivals.'' No wonder many film-makers feel that while it is best to push one's film oneself, the Panorama is a little like a message in a bottle. You never know whether it will reach its intended destination.
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